V.A. - Half skull E.P. (Insane industries, 1984)

Alé hop! Dischettino veloce. 4 pezzi. 4 gruppi. 2 leggendari. 2 sconosciuti anche ai loro genitori. Skate-core come Dio comanda. 1984. Tutto in anteprima e tutto scaricabile. Troppa grazia. Mi scappa da cagare. 320 Kbps

01 - basic math - onward


02 - decry - warlords


03 - love canal - greatest sports legends


04 - m.i.a. - turning in what you hate


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V.A. - Flipside vinyl fanzine compilation vol.2 (Flipside, 1984)

Altro re-post (da qua) che vi permetterà di avere questa compilation, che definire mitologica è riduttivo, finalmente in un' unica cartella
320 Kbps of course



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X - Aspirations (Sidney, 1979)

Gli X (australiani) meno famosi degli X famosi (californiani). Ristampato di recente, questo è un disco sorprendente. Originalissimo, ma allo stesso tempo di una crudezza disarmante; un suono che riesce a farmi ricordare a tratti quello dei Fugazi più furenti.
Per la recensione del disco e la storia della band delego Andrew Ramadge (buffo: l' anagramma di Damager)

"The story goes that X-Aspirations, one of the most important and underrated albums of the punk era in Australia, was recorded in a mere five hours. The scoop, published almost 30 years later on the eve of its reissue, was that it actually took just four. "It was a Saturday afternoon at Trafalgar Studio in Sydney," said Debbie Nankervis, who was married to producer Lobby Loyde at the time, in a recent interview with i94bar.com. "The band belted out 13 fantastic songs, one after another." Then they all went out to Manly to see Rose Tattoo and fuck themselves up on weed and beer.
In the exhaustive liner notes of this release, which include the few reviews written about X during their heyday, singer Steve Lucas reflects on why the band never shook off the tag of perpetual outsiders. "We never lost that sense of walking in off the street," he says. "If ever our heads did get up in the clouds, our feet were still firmly nailed to the gutter." It's that sense of the street that still resonates in the songs of X-Aspirations today – even after all the stories of drugs and violence have been worn out and three of the four original members have passed on (as has Loyde).
Originally released in 1980, X-Aspirations is a mix of punk and hard rock with lyrics about inner-city deadbeats. One song is set in "the hospital beneath the Cross" (St Vincent's Hospital in Darlinghurst, next to King's Cross). In another, the protagonist "stayed up last night 'cuz I couldn't sleep/ There was traffic outside goin' beep beep beep." If the words sound simple, well, that's sort of the point. Their minimalism becomes poetic. One of the best tracks, 'Police', relies on the repetition of the words "police" and "bullies", over and over, until you can't tell which one the band are singing about.

"Musically, 'X-Aspirations' is what the phrase 'rough as guts' was coined for. Lucas' hoarse vocals and thick Australian accent are about as subtle as a postcard from Mt Druitt."

Politically, as well, the band were on the outer. On 'Revolution', Lucas sings about being stuck between the cops and the activists in a place where live music has been a story of struggle against authority for at least three decades (if you think cops raiding gigs and venues closing down is anything new, the same year this album was released, 200 officers with Perspex shields turned up to a Midnight Oil concert at the Stage Door Tavern on Castlereagh Street where a riot had been planned to protest the shutting-down of the famous CBD venue).
"Stick it up ya revolution," Lucas sneers at the activists, just one track after giving the finger to the police. "You sound just like a pol-a-TICIAN." It is an act of pure insolence – individual and self-defeating at the same time. "Rock 'n' roll may be no solution/ But it's what I wanna hear," Lucas sings in the chorus, and then repeats, childishly, until the end: "Na na na na rock 'n' roll!" 'I Don't Wanna Go Out' is similar. On that track, Lucas lists the things everyone else is doing on a Saturday night that he refuses to. An early draft of the lyrics also had a reference to staying in "for a taste".
Musically, X-Aspirations is what the phrase "rough as guts" was coined for. Lucas' hoarse vocals and thick Australian accent are about as subtle as a postcard from Mt Druitt, while Ian Rilen's bass is a slow and steady roll of punches to the gut and Steve Cafiero provides a perfunctory backing on drums. Its brilliance lies in simplicity and the melodies are without fault. The first five times I tried to review it, I gave up for drinking beer and singing along instead. This reissue also includes two versions of the superb 'Half Way 'Round The World' and the band's cover of John Lennon's 'Mother'.
After X-Aspirations, the first incarnation of the band fell apart, with Rilen moving his focus to Sardine V. They returned in a different form a few years later, with Lucas and Rilen teaming up with drummer Cathy Green to record the art-punk classic At Home With You (also reissued by Aztec). During the last 10 years, the music establishment has been catching up with the seedier side of things. The Saints, Radio Birdman, Lobby Loyde and Rose Tattoo (who Rilen played with prior to X) have all been recognised in the ARIA Hall of Fame. It's about time X were given their due credit as well. X-Aspirations is a masterpiece of dropout rock, as important to the history of Sydney as (I'm) Stranded is to Brisbane."
320 Kbps



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ZERO BOYS - The Heimlich maneuver (Indianapolis, 1993)

Questo é un re-post di questoqua
"E che cazzo ce ne frega ?" direte voi. Beh un motivo c'è. Ora i files sono rippati a 320 anziché 128 Kbps e c' è anche un pezzo in anteprima. Ero alle prime armi, allora
Ciau



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TH' INBRED - A family affair (West Virginia, 1986)

Questa gemma targata Toxic Shock (mi prostro in adorazione davanti a questo nome) è uno di quelle che, quando sei adolescente gridi al miracolo e non ti stanchi mai di ascoltare.
Da un posto sfigatissimo nascono i Th'Inbred in un periodo di mutazione della scena HC: i supereroi che rivendicano a tutti i costi la "purezza" delle radici cominciano a diventari ridicoli imbacuccati nel ruolo di predicatori vagamente fascisti, mentre i più "mind-opened" e maggiormente musiconauti si divertivano e studiavano nuovi territori sonori
"Unity is fascism!" (da "Positive song")
I Th'Inbred erano molto critici riguardo alla scena proprio perché ne erano innamorati. E' ciò che traspare dal loro modo di suonare: di base H/C old-school secco secco dal quale si innalza in volo un genio musicale dispari, frenetico ed inusuale, dalla tecnica suprema e dalle intenzioni spiazzanti. Un grande disco insomma, sucessore del E.P. "Reproduction" uscito l' anno prima e precedente di "Kissin' cousins", l' L.P. che uscirà due anni dopo.
"Musically, Th’Inbred were as tight as fuck. I’ve heard them compared to The Crucifucks and The Dead Kennedys. Both comparisons are valid."
320 Kbps as usual



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RADIO BIRDMAN - Living eyes (Australia, 1978)

Altro continente. Dopo i registratori, la radio. Disco mattutino capace di mettermi di buon umore, un classico che più classico non si può. Secondo L.P. di Rob Younger e soci: forse un pò meno furente e depravato del suo predecessore "Radios appear", ma senz' altro più zeppo di inni da squarciagolare. Amo questo disco. E ve lo ripropongo. Tjuss
320 Kbps



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REGISTRATORS - Terminal boredom (Japan, 1996)

Ogni tanto un dischetto killer dal Sol levante ci sta a palla, ti schizza la giornata.
Se poi il dischetto in questione contiene dell' ottimo rock'n'roll suonato a 300 all' ora...
Non c'è un pezzo brutto o qualche calo di tensione in "Termianl Boredom": si zompa all' impazzata fin dall' iniziale "No situation" sino alla conclusiva "Pogo machine"!
Pogo pogo pogo pogo pogo machine....POGO MACHINE!
320 Kbps

P.S.: Ma checcazzo c' ha divshare oggi? Se non va l' anteprima ascoltala qua



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